Some HD Impact: Believe What You Will - Excerpts From the RIAA
As I sit here and think about the topic for my next article, I keep coming back to the idea of piracy. Not the kind of piracy that involves skulls, bones and an eye patch; the kind of piracy that allegedly will change the world forever: music piracy.
As a way to have a thorough discussion on piracy, I’ve decided to take excerpts from the very source of the anti-piracy movement, and examine the RIAA’s beliefs about what piracy is, and what it is not. I am not here to say that piracy is a fine practice, and I support any and all attempts that are made against large piracy organizations that cost artists the money they rightfully deserve. With that said, I am strictly against the practices of the RIAA, and believe that their scare tactics of little old ladies in middle-class USA, or little Johnny Boy who doesn’t know any better is simply despicable. So, without any further adieu, let’s examine the RIAA’s arguments.
“Today’s pirates operate not on the high seas but on the Internet, in illegal CD factories, distribution centers, and on the
street. The pirate’s credo is still the same–why pay for it when it’s so easy to steal? The credo is as wrong as it ever was. Stealing is still illegal, unethical, and all too frequent in today’s digital age. That is why RIAA continues to fight music piracy.”
I chose this excerpt because it runs directly against the practices of the RIAA. I agree that CD factories, distribution centers and street dealers are the true pirates of the world. In fact, it’s easily documented that the vast majority of pirates that cost the record industry millions of dollars each year come from these kinds of place. Unfortunately for the suits, more times than not, the people who run these illegal facilities have machine guns strapped to their backs. But if that is true: namely that the fight is against the aforementioned facilities, why did the RIAA bust a handful of college students back in 2003 and charge them $150,000 per illegally downloaded song? Were they running an illegal CD factory, distribution center or street dealing enterprise? Nope. They were regular college kids (you know, the ones who don’t have any money yet) who wanted some songs. Or what about the 83-year old deceased women the RIAA sued for 700 song violations? Was she a ring leader and we weren’t told about it?
Unfortunately the RIAA is attempting to attack the people who do not deserve the punishment. They tell us what the pirate’s credo is, but what is the RIAA credo? They will surely claim that it is stamping out the major distributors of copyrighted material, but judging by their history, one would be hard-pressed to prove it. The RIAA is not out to take down the Song Stealing Mafia, it’s out to take down the little people. After all, they are easier to pick on.
“Pirate recordings are the unauthorized duplication of only the sound of legitimate recordings, as opposed to all the packaging, i.e. the original art, label, title, sequencing, combination of titles etc. This includes mixed tapes and compilation CDs featuring one or more artists.”
Did you make a CD for mommy last night? If so, you better throw it out now. According to the RIAA, a mixed CD featuring one or more artists is strictly prohibited. But why? What if I purchased five CDs from five different artists. From there, I ripped them onto my computer and put my favorite songs from each disc onto one CD. Why is that such a crime? Based on the broad definition, that is in fact, a crime. I paid for the disc, and wouldn’t you think I should own it as well? Nope. Sorry folks, believe what you want, but the sad fact is when it comes to music, you don’t own a thing.

